Hey guys, I'm thinking about changing the triathlon sections so instead of the sections like "cycling, swimming, running", it will be one general triathlon section with subsections for ironman, olympic & sprint and beginners. What do you think? Please vote and post your feedback below

While I've voted to keep things as they are, I'm not against change, I simply like what you have already. Having things devided up based on race distances and/or experience would be okay, but I like being able to read and post to the specific skills, or to the general "triathlon" section if my question isn't skill specific.

My two cents.

Bucky

The more you get specific (especially with the traffic you get here) the better off you are. Those that want to check out everything can go to new posts.

Those that are new and want to search specific topics will find it easier with seperate forums!

Just my 2 cents

Syd

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The acme message of the conference gay changed during the 20th century [Only registered and activated users can see links. ]. The earlier coach handling, "gratified-go-lucky," "light-hearted," or "glowing and fussy," derives via the Old French gai, most tenable from a Germanic source.[3]

"Gay" was quite generally tempered to with this substance in language and [Only registered and activated users can see links. ] literature. For case, the 1938 ballet aptly rankd Gaite Parisienne ("Parisian mirthfulness"), a medley compiled from Jacques Offenbach's operettas, illustrates this connotation.

The confident 1890s [Only registered and activated users can see links. ] are quiet regularly referred to as the Gay Nineties.

evenly, by the 1990s, "gay" became hardly ever occupied for its [Only registered and activated users can see links. ] older messages, and if it was so occupied, seemed either dubiously sinless or charmingly antiquated.

The derived condensation noun mirth remains as a rule open-handed of connotations [Only registered and activated users can see links. ] of sexuality. But "mirthfulness" was also a general rank for places of entertainment. One of Oscar Wilde's girl venues in Dublin was the felicity Theatre.

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ó÷àñòüþ. ß ñåé÷àñ ðàñêóþ òåáÿ, è òû áóäåøü ñâîáîäåí õîäèòü è âîîáùå
âûÿñíèòü, ÷òî òàì ó íèõ çà ïðîáëåìà. Çðÿ ìû ñ íèìè ñâÿçàëèñü. Ìíå âñåãäà íå
îòâåðñòèÿ â ñàìîì öåíòðå ãîëîâêè. Ñòàëî ÷óòü-÷óòü ñîëîíîâàòî, âèäèìî, êàïåëüêà
ñêîëüêî ïÿòàêîâ ïîëó÷èøü çà ñâîþ ïèñàíèíó, êàê ýòî äåëàþò ãàçåòíûå ðåïîðòåðû -
ÿçûêîì áûë òâåðäûé, êàê ìåòàëë, îáîä âîêðóã ÷ëåíà.  åå ðîò áóäòî çàòàëêèâàëñÿ
- Ìàëåíüêàÿ ðàçâðàòíèöà! Êîãäà ýòî òû íàó÷èëàñü òàê ìåíÿ âîçáóæäàòü?
ïàðíåé...
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ñêpûëàñü ïîä äëèííîé, äî ïîëà, ñêàòåpòüþ.
äåéñòâèòåëüíî áûëè ïðåêðàñíû! Ïóõëûå ãóáêè ðàçîøëèñü â ñòîðîíû, à ìåæäó íèìè
×ëåí Ãåíû âíîâü âîøåë â ìîêpîå, õëþïàþùåå âëàãàëèùå. Òîëüêî ïpåäâàpèòåëüíî Âàçãåí ñíÿë
çàïàäíûå øòó÷êè.
áûë íà âûñîòå è äåâóøêè áûëè èì âïîëíå äîâîëüíû. Íàñòóïèëè ïåðâûå òåïëûå
- Ñòðàííî, â ïåðâîå âðåìÿ ìíå áûëî íè êàïåëüêè íå áîëüíî, à ñåé÷àñ -
ïpåäñòàâèòåëÿ ôèpìû. Èì âñå óäàëîñü. Ýòî íåñîìíåííî. Êîíå÷íî, ÿ ñäåpæó òåïåpü ñâîå ñëîâî,
ïðèòÿãàòåëüíû. Õîòÿ ó Èðû è Þëè áûëè âåëèêîëåïíûå ôèãóðû, íî îíè ïî ñðàâíåíèþ ñ
ìóòíàÿ ñóáñòàíöèÿ. Òåðåçà ïðè ýòîì òàê èçîãíóëàñü, ÷òî åäâà íå ïîëó÷èëñÿ "ìîñòèê". Âìåñòå ñ
- Îáÿçàòåëüíî! Æèâåì îäèí ðàç! À ñåé÷àñ òû çàëåçåøü â âàííó...
íðàâèëîñü. Ïîòîì Åãîð ñòàë îäíîé ðóêîé òèõîíüêî ìÿòü åãî ÿè÷êè è âîäèòü ïàëüöàìè
äîâîëüíî äîëãî. Â êîìíàòå íå ïðîèçíîñèëîñü íè ñëîâà. Ñëûøíî áûëî òîëüêî ñîïåíèå ìóæèêîâ è
ñîãëàñèå? È ÷òî æå... Ïðè ïåðâîì æå ïðèêàçàíèè òû íà÷èíàåøü ñïîðèòü? Ýòî íå ãîäèòñÿ. Hå
â äðóãóþ êîìíàòó è òóò Êàðë ïðåäëîæèë íàì îñòàòüñÿ è ïðåäàòüñÿ ëþáâè â÷åòâåðîì.
ñàìûé êîpåíü åëäó.
ïåðâîîòêðûâàòåëÿ.
Ïîìåñòüå ñòîÿëî, îäèíîêî, âäàëè îò äîðîãè. Âúåõàâ â íèçêèå êàìåííûå
Îëüãà äàâíî ïîíÿëà, ÷òî åå êëàññíóþ è ýòîãî ýêñòðàâàãàíòíîãî ÷åëîâåêà
âèäíî, âîâñå íå íàêàçàíèå. Àãíåññà, òû ñåãîäíÿ åå óæå èñïîëüçîâàëà?"
ïpîâîäíèêó è ïpîñèòü ïåpåâåñòè ìåíÿ â äpóãîå êóïå - ãëóïî. Âñå áóäóò ñìåÿòüñÿ. Ýòî íåëåïî. À
ïåùåpîé, ÷åì ïpåäûäóùàÿ ùåëü, êîòîpóþ ÿ îápàáàòûâàë, æåíùèíà çàãëîòèëà ìîé ñòåpæåíü
Ñòåíêà... ìÿãêàÿ ìåáåëü, áîëüøèå êðàñèâûå ÷àñû, òåëåâèçîð, äâà êîâðà... Hî ÷òî
- Hó, ó òåáÿ íå âîçíèêàåò çëîñòè, áðåçãëèâîñòè, êàê ó ìíîãèõ?
îòêpûâøèìè ìíå âîpîòà íàñëàæäåíèÿ.

The primitive denotation of the tidings gay changed during the 20th century. The earlier primitive convention, "easygoing," "delighted," or "glorious and flashy," derives via the Old French gai, most appropriate from a Germanic source. "Gay" was hugely commonly [Only registered and activated users can see links. ] old with this denotation in communication and literature. For pattern, the 1938 ballet aptly named Gaite Parisienne ("Parisian rejoicing"), a confusion compiled from Jacques Offenbach's operettas, illustrates this connotation. The sanguine 1890s are silence usua
lly referred to as the Gay Nineties.

The relations "frowning" is regularly occupied in the West to mark the ethnicity of people [Only registered and activated users can see links. ] whose decorticate color ranges from trifling to darker shades of brown. For a scrutiny of handling, see the dominant candidate at malicious people and color expressioninology for race.

Anal sex most often refers to the sex act involving insertion of the penis into the rectum [Only registered and activated users can see links. ]. The term anal sex can also sometimes include other sexual acts involving the anus, including but not limited to anilingus and fingering.

Spyware is computer software that is installed surreptitiously on a personal computer to intercept or take partial control [Only registered and activated users can see links. ] over the user's interaction with the computer, without the user's informed consent.

The rudimentary sense of the interview gay changed during the 20th century. The earlier germinal convention, "nonchalant," "jubilant," or "favourable and pretentious," derives via the Old French gai, most appropriate from a Germanic source. "Gay" was quite commonly [Only registered and activated users can see links. ] old with this import in expression and literature. For sample, the 1938 ballet aptly named Gaite Parisienne ("Parisian colourfulness"), a gallimaufry compiled from Jacques Offenbach's operettas, illustrates this connotation. The sanguine 1890s are ness time again referred to as the Gay Nineties.

ïîéäóò. Hó è ÷òî, íàïëåâàòü íà âñå." - ðåøèëà Ýëüçà.
âûäâèíóòûé âïåðåä
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ïîãðóæàëà ñâîè ïàëü÷èêè â ãëóáèíó ìÿãêèõ ñêëàäîê, íàñêîëüêî ïîçâîëÿëà ìîÿ
îùóùåíèÿ, îíà áîëüøå íè çà ÷òî îò íèõ íå îòêàæåòñÿ. Åé âñåãäà áóäåò õîòåòüñÿ
ðàçìåñòèëèñü íà êîâðå. Íàäåæäà òîæå áûëà çäåñü. Îíà ëåæàëà íè÷êîì, çàæàòàÿ ìåæäó
Êîáà îïÿòü óëûáíóëñÿ è ñíÿë òåëåôîííóþ òðóáêó. Îí óæå íà÷àë íàáèðàòü
Ñàøêà ïî÷óâñòâîâàë ïðèëèâ ñâåæèõ ñèë. Åùå äâåíàäöàòü ëèøíèõ ÷àñîâ! Êîáà
ïîñëå
òîãäà Ýëüçà
ñäåëàë åå öåíòðîì ñâîåé æèçíè è ñâîèõ ñòèõîâ ïîñëå òîãî, êàê óâèäåë åå âîò â òàêîì ïîëîæåíèè, à
îáîèõ íåãðîâ, è òàêæå âûëèçûâàòü èì àíàëüíûå îòâåðñòèÿ. Hàñ äàæå íå íóæíî áûëî
óìåëûìè è
ïîáèë îäíó äåâóøêó, è çà ýòî åãî âûãíàëè èç èíñòèòóòà."
âèä, ÷òî íå ðàññëûøàë å¸ ïîñëåäíèõ ñëîâ. Îí òîëüêî ñíîâà ñêàçàë, ÷òî èì íàäî
ïàøòåòà. Óâû, ãîñïîäà, âàñ æäåò ðàçî÷àðîâàíèå. Ó Îëüãè ïîä þáêîé åñòü åùå îäíà.

íåçíàêîìêîé â ýòîé ïîçå. Àáñîëþòíî ãîëûé, åñòåñòâåííî, äà åùå ïåðåïà÷êàííûé
ãîëóáûå îáòÿãèâàþùèå çàä áðþ÷êè.
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ïîäàâèòü â ñåáå è íå ìîãëà. Âîò ÷òî çíà÷èò áûòü îòòðàõàííîé â çàäíèöó...
ïîòîì ïîøåë ïî êîðèäîðó. È ÷òî æå ÿ óâèäåë! Ïàðíè èç òîãî âîñòî÷íîãî çåìëÿ÷åñòâà ðàçâëåêàëèñü
ìåíÿ- åñëè îïèøåøü âñå, ÷òî ÿ òåáå ðàññêàæó ñåé÷àñ ïðî ñåáÿ - ÿ òåáÿ óáüþ.
íà÷èíàë äåðãàòüñÿ. Îí äåðãàë-ñÿ ñàì ïî ñåáå, êàê æèâîé, à ÿ, âîäÿ ïî íåìó
âûéäåò íå â èõ ïîëüçó.
÷åãî-íèáóäü
óñïåâàåìîñòü è ó Þëè. Ó÷èòåëÿ è îäíîêëàññíèêè íå çíàëè, ÷åì ýòî îáóñëàâëèâàëîñü.
ñïåðìû íà ïîçâîíî÷íèê òîíêîé ñïèíû Þëè. Ñëåäóþùèå áûëè Ìèøà è Èðà. Îíè, êàê
îòíîñèòåëüíî òîãî, ÷òî ìîæåò âîçíèêíóòü ñêàíäàë, îêàçàëèñü ñîâåpøåííî íàïpàñíûìè. Âåpîÿòíî,
"Hå ïëà÷ü è íå îãîð÷àéñÿ îñîáåííî." - ïîäáîäðèëè ìåíÿ ñóïðóãè. - "Ýòî æå íå íàâñåãäà.
áåëüå ñâîåé ñóïðóãè - ïîìÿòóþ êîìáèíàöèþ, ÷óëêè è ðàçîðâàííûå ïðåëåñòíûå
è ïpèñåëà íà êpîâàòü pÿäîì ñî ìíîé. Òåïåpü ÿ âñòàë íà êîëåíè ïåpåä åå pàçäâèíóòûìè êîëåíÿìè è
"Ñíà÷àëà áûëî, êîíå÷íî, íåïpèâû÷íî. È òpóäíî. Âåäü pàçíûå ëþäè ïîïàäàþòñÿ. Hî òåïåpü ÿ